Data Lab is an around the clock digital-dailies service
that prepares your shoot material for editorial.
It replicates the dailies process of a traditional film lab and enables you to maximise the time and cost advantages of shooting digitally by creating a robust pipeline and delivery system from editorial right through to distribution.
Data Lab ensures that the technical and artistic integrity of your recorded content is retained and managed securely throughout every process, whether captured on film, tape or data.
Data Lab core dailies services include:
// Digital-dailies encoding from shoot format to editorial files
// Daily preview DVDs
// Daily uploads and secure online delivery
// Archive, clones, back up & storage
Additional Data Lab services include:
// Post Production work flow consultation
(film/tape/tapeless)
// Technical assessment & Quality Assurance
// Colour management
// Full dailies grading option with senior colourists.
Reap the Benefits of Data Lab:
// Enables you to maximise time and cost advantages of shooting digitally
// Supports a very wide variety of camera formats
// Enables you to have a tailored solution for your individual requirements
// Ensures that the technical and artistic integrity of your recorded content is retained and managed securely throughout every process
// Facilitates a collaborative process between HODs and experienced post production creatives and technicians
// Secure back up and archiving for digital dailies and an on-set DVD delivery system
// Compliments a project’s contractual obligations to insurers and investors.
Data Lab Supported Camera Formats:
// 35mm
// S16mm
// RED
// Sony
F35
F23
F900
EX3
// Panavision
Genesis
// Arri
D21
Alexa
// Canon 7D/ 5D
// Panasonic Varicam
// Phantom
// Thomson Viper
// Photron
// SI2K
Choose your weapon!
Whether you are shooting digitally or on film, Digital Pictures transforms your moving images and assists you to realise your creative aspirations.
Data Lab Credits:
The Cup (F35 & 35mm )
Silver Lion Films
Village Roadshow
DOP: David Burr
Small Time Gangster (RED)
Boilermaker-Burberry
Entertainment
Movie Network
DOP: Craig Barden
The Eye of the Storm (35mm)
Paperbark Films
Transmission
DOP: Ian Baker
Big Mamma’s Boy (F35)
Valarc Films
DOP: Judd Overton
Killer Elite (35mm)
Ambience Entertainment
Palomar Pictures
DOP: Simon Duggan
The Kings of Mykonos: Wog Boy 2 (F23)
See-Saw Films
Paramount
DOP: Mark Wareham
Don't be Afraid of the Dark (35mm)
Miramax Films
DOP: Oliver Stapleton
The Loved Ones (RED)
Ambience
Entertainment
Madman
DOP: Simon Chapman
To capture and transform your images contact Data Lab today!
+61 3 9251 1600 // datalab@digitalpictures.com.au













